31 days of horror films – October 2023

My recent trip to the Teotihuacan pyramids in Mexico brought back memories of this film. The film tells the story of a group of American tourists who venture deep into the Mexican jungle to explore ancient Mayan ruins but find themselves trapped and facing a terrifying and unknown threat. The Ruins is unflinching with its approach to gore and terror.

What makes “The Ruins” particularly effective is its use of psychological tension. As the group becomes trapped on the top of the mysterious temple, they quickly discover that they are not alone. The indigenous people living in the area guard the temple with an unwavering and menacing determination, leading to a series of horrifying confrontations. The film’s ability to play on the fear of the unknown, the claustrophobic setting, and the gradual unraveling of the characters’ sanity make it a genuinely frightening experience.

“The Ruins” is not for the faint of heart. The body horror elements, in particular, are stomach-churning, and the suspense is unrelenting. The jungle setting becomes a character in itself, with lush but suffocating cinematography that adds to the overall sense of isolation and desperation. The film’s relentless, nerve-wracking pace keeps viewers on the edge of their seats throughout.

What sets “Prince of Darkness” apart from traditional horror films is its compelling blend of science and the supernatural. Carpenter delves into theoretical physics, quantum mechanics, and religion to weave a complex and unsettling narrative. The film’s portrayal of the merging of science and the occult is thought-provoking, and it generates a constant sense of unease as it explores the boundaries of human understanding. The film doesn’t rely on gore or jump scares, opting instead for a gradual and cerebral buildup of suspense. The film’s horror lies in its ability to tap into the audience’s primal fears and its exploration of unsettling themes, including possession and the breakdown of reality.

Prince of Darkness is a must-see for fans of horror that delves into the unknown and the unsettling. It’s a cerebral and thought-provoking film that lingers in your mind long after the credits roll. John Carpenter’s masterful direction, the fusion of science and the supernatural, and the unshakable sense of dread make “Prince of Darkness” a truly memorable and enduring entry in the horror genre, cementing its place as a cult classic.

A classic of early horror cinema that continues to be appreciated for its contribution to the genre. Its exploration of psychological horror and its unique expressionistic style make it a compelling watch for those interested in the history of cinema and the roots of horror storytelling. Conrad Veidt’s performance and Robert Wiene’s direction are standout elements, and the film remains a must-see for cinephiles and horror enthusiasts.

“The Hands of Orlac” is a gripping and atmospheric film that effectively blends elements of psychological horror, expressionism, and crime drama. It explores the themes of identity, duality, and the human psyche, offering a unique and unsettling cinematic experience.

Conrad Veidt delivers a remarkable performance as Paul Orlac, conveying the character’s internal struggles and descent into madness with great intensity. His expressive face and body language make the audience feel his torment and confusion.

The film’s direction by Robert Wiene, known for his work on “The Cabinet of Dr. Caligari,” is top-notch. Wiene uses a mix of shadowy, expressionistic cinematography and inventive set design to create a haunting and claustrophobic atmosphere. The film’s use of visual symbolism, particularly the portrayal of Orlac’s hands, is both eerie and visually striking.

One of the notable aspects of “The Hands of Orlac” is its exploration of the psychological consequences of a medical procedure, which was a relatively novel concept in cinema at the time. The film delves into themes of identity, the conflict between rationality and superstition, and the impact of physical changes on one’s psyche.

While most kids were watching afterschool specials, the creepy kid that was me was watching Bad Ronald.

“Bad Ronald” is a made-for-television movie that was released in 1974. Directed by Buzz Kulik and based on a novel of the same name by Jack Vance, the film is a suspenseful and psychological thriller. It tells the story of a socially awkward and reclusive teenager named Ronald Wilby, who accidentally kills a young girl in a tragic accident. In an effort to avoid the authorities and the consequences of his actions, Ronald’s overprotective and mentally unstable mother hides him in a secret room within their family home.

The film takes a dark turn when Ronald’s mother unexpectedly dies, leaving him trapped in the hidden room for years. As the house is sold to a new family, Ronald must continue to remain hidden while the new residents go about their lives unaware of his presence. The tension builds as Ronald becomes increasingly desperate and unhinged in his isolation, and he begins to take drastic measures to maintain his hidden existence.

“Bad Ronald” is a gripping and suspenseful film that keeps viewers on edge as they watch Ronald’s mental state deteriorate and the potential for his secret to be discovered looms. The movie effectively explores themes of isolation, mental instability, and the consequences of one’s actions. Scott Jacoby delivers a convincing performance as Ronald, portraying the character’s descent into madness and desperation.

While “Bad Ronald” may not be a big-budget or high-profile production, it has garnered a cult following over the years due to its unique premise and the tension it creates. It’s a classic example of a suspenseful TV movie from the 1970s and is appreciated by fans of the genre.

Overall, “Bad Ronald” is worth a watch if you enjoy psychological thrillers and are interested in exploring a lesser-known gem from the world of made-for-TV movies. It’s a film that offers a dark and unsettling portrayal of a young man’s descent into madness while hiding from the world.

Back in the 80’s when I thought I had outgrown Stephen King (I still haven’t really), I moved on to Clive Barker for my horror literature and into his collection of short stories – The Books of Blood. It was here I discovered Midnight Meat Train.  I thought immediately that it would make for a great film. However, I had to wait 24 years for it, but Japanese director Ryuhei Kitamura was the perfect man for the job. His cinematography captures the grittiness of the urban landscape, and the use of lighting and shadows adds to the suspense. The film keeps the audience guessing about the true nature of the horrors lurking in the subway. The Midnight Meat Train” is not for the faint of heart. It delves into themes of urban decay, the primal instincts of humanity, and the fine line between civilization and savagery. The film excels in creating an eerie atmosphere that permeates every scene. The subways of New York City become a claustrophobic, terrifying setting, and the tension is palpable. One of the film’s strongest assets is its gore and brutality. The practical effects and makeup are top-notch, resulting in some truly gruesome and memorable scenes. The film does not shy away from graphic violence, and it effectively contributes to the unsettling nature of the narrative.

OK this film’s a bit dated and silly so this will be my guilty pleasure entry. I promise. I’ve loved this film and its music ever since I first watched it. I even went out one Halloween as this phantom version, not the original Lon Chaney one. horror purists were mortified. “Only she can sing my music. Anyone else who tries, dies!” – The Phantom of the Paradise

A visually and sonically unique movie combines elements of horror, satire, and rock ‘n’ roll, making it a one-of-a-kind cinematic experience. “Phantom of the Paradise” is a modern reimagining of the classic “Phantom of the Opera” story, set in the music industry of the 1970s. The film follows the story of Winslow Leach (played by William Finley), a talented but naive composer who gets caught up in a Faustian deal with the sinister music producer Swan (played by Paul Williams). Swan steals Winslow’s music and manipulates his life, leading to a disfiguring accident that transforms him into a vengeful, masked figure known as the Phantom. Brian De Palma’s direction and the cinematography by Larry Pizer create a visually striking and surreal world that blends elements of Gothic horror and glam rock. The use of elaborate set designs, costumes, and clever camera work helps establish a unique and memorable aesthetic. “Phantom of the Paradise” combines horror elements with dark humor, making it a unique and engaging experience. The Phantom’s disfigurement and his transformation into a vengeful figure create moments of tension and horror, but these are often counterbalanced by absurd and comical situations.

I was so fortunate to attend Día de Muertos in Mexico City last year. It was everything I dreamt it would be. As long as I can remember I was fascinated with Mexicans take on death. Not a somber occasion at all but a celebration of one’s life. This ideology has always resonated with me. So why wouldn’t I like a horror film anthology exploring these themes?

“México Bárbaro” is a Mexican horror anthology film released in 2014. Directed by eight different Mexican filmmakers, it weaves together eight chilling tales inspired by the rich and diverse folklore of Mexico. The result is a unique and spine-tingling cinematic experience that explores the dark and macabre aspects of Mexican culture. Each segment in “México Bárbaro” is distinct in style and approach, offering a fresh perspective on the horror genre. Some stories draw from well-known Mexican legends like La Llorona and El Cucuy, while others delve into less explored myths and supernatural phenomena. The film uses a variety of horror elements, including folklore, urban legends, and elements of the supernatural, to create a captivating and eerie atmosphere. What sets “México Bárbaro” apart is its ability to capture the essence of Mexican horror traditions. The film delves deep into the country’s folklore and superstitions, presenting a rich tapestry of cultural horror. The production values, cinematography, and makeup effects vary from segment to segment, but they collectively contribute to the movie’s unique appeal. Some stories are more polished than others, but this disparity adds to the overall charm of the anthology. “México Bárbaro” is a commendable effort to bring Mexican horror to the forefront. It successfully weaves together a series of chilling and engaging stories that highlight the unique aspects of Mexican folklore. While not without its flaws, it’s a must-see for horror enthusiasts looking for something different, and it’s an opportunity to appreciate the underexplored horror culture of Mexico.

I tried but failed to find a decent Thanksgiving themed horror film. Eli Roth’s Thanksgiving is not out yet. So instead, a lesser known and sexy horror film. Well, it’s not as sexy as the poster makes it seem and I don’t think my hidden fears were aroused. Fear arousal is something I usually avoid.

“Possession” is a complex and challenging film that delves into themes of love, obsession, and the disintegration of the human psyche. The film blurs the lines between reality and the supernatural, leaving viewers to interpret much of what they see. It can be seen as a metaphor for the breakdown of relationships and the internal turmoil of the characters. The film is notorious for its shocking and explicit scenes, particularly one involving a subway tunnel and a creature that defy easy categorization. “Possession” is not for the faint of heart and has provoked strong reactions, with some viewers finding it brilliant and others deeply disturbing. “Possession” is a unique and enigmatic piece of cinema that defies conventional genre classification. It’s a film that demands an open mind and a willingness to grapple with its unsettling and challenging content. If you’re a fan of surreal and psychological horror that pushes boundaries, “Possession” is worth exploring. However, be prepared for a profoundly unsettling and disorienting experience that will likely leave a lasting impression, whether positive or negative.

“Video Nasty” was a term popularized by the National Viewers’ and Listeners’ Association (NVALA) in the United Kingdom to refer to a number of films, typically low-budget horror or exploitation films, distributed on video cassette that were criticized for their violent content by the press, social commentators, and various religious organizations in the early 1980s. Of course, as a teenager I just had to track these films down to see what the fuss was about. Frightmare was one such film.

A cult classic British horror film from 1974 that delivers a spine-tingling experience with its unique blend of dark humor and gruesome horror. Directed by Pete Walker, the movie manages to stand out in the crowded genre of ’70s horror thanks to its compelling characters and unrelenting sense of dread. The story revolves around Dorothy Yates (played by the fantastic Sheila Keith) and her husband, Edmund (Rupert Davies), a seemingly harmless, elderly couple who share a dark secret. Dorothy has a taste for human flesh, and together with her husband, she indulges in a gruesome spree of murder and cannibalism. After being incarcerated in a mental institution for her crimes, Dorothy is released into the care of her daughter, Debbie (Deborah Fairfax), who is oblivious to her mother’s sinister past. One of the strengths of “Frightmare” lies in its portrayal of its central characters.  Despite its age, “Frightmare” manages to retain its capacity to shock and disturb, relying on practical effects and unsettling cinematography. The gore effects might appear somewhat dated by today’s standards, but they remain gruesome and effective within the context of the film. The violence is used sparingly, allowing the suspense to build and the horror to simmer beneath the surface. “Frightmare” is a hidden gem in the horror genre. If you appreciate ’70s horror that marries tension and dark humor, “Frightmare” is a film that’s worth uncovering and savoring.

There is a sequence in this film that is so terrifying that I still think about it 18 years later. I remember hearing an audible gasp from the audience when it screened at the Toronto International Film Festival. My wife had to bury her eyes. She’s done that a lot watching films with me over the years.

A Turkish horror film that’s not for the faint of heart, as it dives deep into disturbing and surreal territory. It’s a visually striking and nightmarish experience that leaves a lasting impression. The story follows a group of five police officers who respond to a distress call in a remote, seemingly abandoned village. As they descend into an underground labyrinth, they find themselves confronted by a series of grotesque and surreal horrors. The film is inspired by various forms of mythology and folklore, resulting in a dark, otherworldly atmosphere that sets it apart from many mainstream horror films. One of the film’s strongest aspects is its visual style. “Baskin” boasts impressive cinematography and a unique, nightmarish aesthetic. The film’s use of disturbing imagery and unsettling sound design creates an eerie and uncomfortable atmosphere, immersing the viewer in a world of horror. Overall, “Baskin” is a polarizing film that will appeal to fans of extreme horror and surreal, nightmarish visuals. It’s not a film for everyone, as its disturbing and graphic content can be overwhelming. While it may not be a perfect horror movie due to its somewhat confusing narrative and underdeveloped characters, it’s a visually stunning and nightmarish experience that leaves a lasting impact on those who can appreciate its unique brand of horror. If you’re a fan of unconventional horror cinema and are prepared to be disturbed, “Baskin” is worth a watch.

A big shout to our local community cinema -The Revue, for showing this film on the big screen. I’ve only seen it from a shitty VHS on a tiny CRT screen. Did I tell you that Chinese vampires can only jump after you? It may seem hilarious to most, but it was terrifying to me. In the realm of slow-moving zombies.

“Mr. Vampire” is a classic Hong Kong horror-comedy film released in 1985, directed by Ricky Lau. This film is not only a significant entry in the horror genre but also a pioneer in the “jiangshi” or hopping vampire subgenre. With its unique blend of horror, humor, and martial arts, “Mr. Vampire” is a delightful and highly influential movie. One of the standout aspects of “Mr. Vampire” is its innovative approach to the horror genre. It combines traditional Chinese folklore and martial arts with a lighthearted and comical tone. The film’s jiangshi are depicted as stiff-legged, hopping vampires, and their supernatural abilities are both terrifying and amusing. The action sequences are well choreographed, and the martial arts scenes add excitement to the narrative. It’s this unique blend of horror and humor that sets “Mr. Vampire” apart from other films of its kind. The film’s visual effects and makeup, considering the era in which it was made, are quite impressive. The jiangshi are brought to life with skillful makeup and practical effects, giving them a genuinely eerie appearance. The action sequences, though not on par with contemporary martial arts films, are entertaining and well-executed. “Mr. Vampire” also provides cultural insights into Chinese folklore and superstitions. The blend of traditional beliefs with modern comedy and action elements is what makes the film enduring and endearing.

Day 12/31 – I’ve been a huge fan of stop action animation since I was a kid watching Ray Harryhausen films. The skill and patience involved is so next level. I didn’t think it possible, but Phil Tippett takes even further. Mad God is truly a master work.

A unique and visually stunning stop-motion animated film directed by Phil Tippett. This independent project stands out as a labor of love for Tippett, a renowned visual effects artist and animator known for his work on iconic films like “Star Wars” and “Jurassic Park.” The film takes viewers on a surreal and nightmarish journey through a dystopian, otherworldly landscape. It’s a silent film, relying solely on its visuals and sound design to convey its story. The lack of dialogue or conventional narrative can be polarizing, but it also allows the viewer to interpret the film in their own way, creating a highly immersive and engaging experience. One of the most impressive aspects of “Mad God” is its stop-motion animation. Tippett’s expertise in the field shines through as he meticulously brings bizarre and grotesque creatures to life, often using practical effects and miniatures. The attention to detail and craftsmanship is extraordinary, and it’s evident that a tremendous amount of work went into creating the film’s macabre and nightmarish world. The film explores themes of war, technology, and the human condition in a way that’s open to interpretation, making it a thought-provoking piece of art.

“Mad God” is a work of art that pushes the boundaries of what can be achieved in stop-motion animation. While it may not have mass appeal due to its experimental nature and disturbing content, it’s a must-see for those who appreciate unconventional filmmaking and appreciate the artistry and craftsmanship that goes into creating a truly unique cinematic experience. If you’re a fan of stop-motion animation or enjoy films that challenge your perceptions, “Mad God” is a journey into the bizarre and grotesque that you won’t soon forget.

Throwing this one in… cause…it’s just simply…fun.  I always enjoy this film despite my Coulrophobia (fear of clowns).  The film is fun, the clowns in it are not.

“Killer Klowns from Outer Space” takes a hilariously bizarre and imaginative twist on the sci-fi horror genre. Directed by Stephen Chiodo, this film is a wild ride into a world where extraterrestrial clowns land on Earth to wreak havoc, turning cotton candy into deadly weapons and capturing humans in giant popcorn bags. The premise is undeniably absurd, but that’s exactly what makes it so entertaining. The film doesn’t take itself seriously, and it thrives on its campy charm. The Chiodo Brothers, known for their special effects work, bring their unique and playful vision to life. The practical effects are impressive for their time, and the clown costumes and makeup are both creepy and comical, making for memorable characters. The film’s strengths lie in its creativity and willingness to embrace its absurdity. It’s clear that the filmmakers had a lot of fun with the concept, and this enthusiasm is infectious. The whimsical and sometimes gory deaths caused by cotton candy cocoons and silly string guns provide a good mix of humor and horror. There’s a delightful tongue-in-cheek tone that keeps the audience engaged, and some of the clown gags are genuinely amusing. “Killer Klowns from Outer Space” is a cult classic that revels in its silliness, offering a mix of campy horror and comedy that’s perfect for fans of B-movies and those who enjoy films that don’t take themselves too seriously. While it may not be a masterpiece in the traditional sense, it’s a cult classic that’s still appreciated by those who enjoy its zany, offbeat charm and its memorable, murderous extraterrestrial clowns. If you’re looking for a fun, popcorn-munching, B-movie experience, give it a try.

Few films can bring me to a cold sweat like this one. It holds up surprisingly. As with all ghost stories, this one is timeless. People often assume my love of horror films is centered around zombies, gore and slasher films. It’s more about the horror of the supernatural. Haunted houses and ghost stories. You can’t get a better ghost story on screen than Ghost Story.

Adapted from Peter Straub’s best-selling novel, the movie weaves a slow-burning and haunting tale that stands out among the horror classics of its time. “Ghost Story” excels in creating a foreboding atmosphere. The snowy, isolated town of Milburn, where the story is set, adds an eerie backdrop to the unfolding events. The film is meticulously shot and offers a timeless and Gothic visual style. The use of practical effects and makeup to create the ghostly appearances is impressive, especially considering the film’s age. One of the film’s strengths is its slow, deliberate pacing. It allows the tension and dread to build gradually, making the horror elements all the more effective. While some modern audiences might find the pace slow by today’s standards, it caters to those who appreciate a more psychological and atmospheric horror experience. “Ghost Story” is a classic horror film that offers a slow, eerie, and atmospheric experience. Its talented cast, strong visuals, and the chilling atmosphere it creates make it a must-see for fans of classic horror cinema. While it might not terrify modern audiences as much as it did in 1981, it remains a chilling and memorable addition to the genre, showcasing that true horror can withstand the test of time.

I’m including this recent film as it blew me away. I’ve not seen such a skillful buildup of tension and suspense since Hitchcock.

The Royal Hotel aims for something less overtly terrifying. It puts the spectator on a knife edge with its unsettling portrayal of men whose motivations seem to change from scene. However, the director, who is filming in her native Australia for the first time, shows such a sure hand with the movie’s tone that even her brief slips into genre cliché (like a surprise snake and a convenient storm) inflict minimal damage.  An expertly crafted thriller is all about how the familiarity of its premise makes us hope for the worse in a bloody horror film. Place two young, gorgeous female backpackers in a desolate mining town in the Australian Outback; encircle them with sex-starved, obnoxious miners; and deny them access to reliable transportation or mobile service.

There are not a lot of horror films from the Philippines and certainly none as good as Eerie.  I don’t usually nail bit during films but I did with this one.

“Eerie” is a 2018 Filipino horror film that combines elements of supernatural horror and psychological thriller. The story is set in an exclusive all-girls Catholic school, which already provides a creepy and atmospheric backdrop. The film follows the character of Pat Consolacion, a guidance counselor at the school. She becomes involved in a series of disturbing and unexplained events when a student commits suicide. As she investigates the incident and delves deeper into the school’s history, she uncovers a dark and unsettling secret. “Eerie” does an excellent job of creating a haunting and eerie atmosphere. The school’s old and gothic architecture, coupled with the dimly lit corridors, adds to the overall sense of dread. The setting effectively contributes to the film’s overall ambiance. “Eerie” relies heavily on psychological horror, making it a slow-burn thriller that builds tension and unease throughout the film. The scares are more psychological than jump-scares, which adds a layer of sophistication to the storytelling. The film also delves into themes of abuse of power, bullying, and the consequences of silence. It uses the horror genre to address real-world issues in a thought-provoking way. This is a well-crafted horror film that stands out in the genre, primarily due to its atmospheric storytelling and strong performances. If you appreciate psychological horror with a focus on character-driven storytelling and a deep, unsettling atmosphere, “Eerie” is worth a watch.

A lockdown pandemic feel good film. Just kidding, it was very cathartic though.

The inhabitants of a Paris tower block awaken to find that the outside world has vanished at the start of this remorselessly grim apocalyptic nightmare. One man exclaims, “There is no outdoors.” It has been replaced by a gigantic black void that engulfs everything and everyone who enters it. These inquiries actually serve as a welcome diversion from the film’s bleak depiction of how low humanity may fall. Its author and director, Guillaume Nicloux, a novelist and filmmaker, obviously holds the Hobbesian belief that, in the case of society breaking down, we will all be boiling each other’s bodily parts in less than 15 minutes. The occupants of the block begin to band together to ration food and water after swiftly realizing that no one is coming to save them. “It’s going to get ugly fast,” murmurs someone ominously. They look pale, drained, and have greasy hair five months later. When I noticed dogs and cats in cages on kitchen counters, it took me a few seconds before it hit me. Life in the block is lawless, run by competing gangs trading in pet meat. After this period of time has passed, life becomes more brutal, the gangs are more violent, and the locals resemble zombies who have taken tranquilizers. Even among Bible adherents, there is a spooky group known as the “baby eaters” (this is not a euphemism).

Toronto After Dark 2023 opens with LATE NIGHT WITH THE DEVIL, the scary horror hit of this year’s SXSW and film fest circuit, that similar to the CONJURING series, spotlights 1970s America’s fascination with the occult! Facing cancellation, a late-night talk show host (THE SUICIDE SQUAD’s David Dastmalchian) tries to spike his audience ratings by producing a Halloween TV special for the ages, featuring a live to air exorcism. As the night unfolds, the chilling event spirals out of control! Alas, no trailer, but take it from Rotten Tomatoes where it’s 100% Fresh, Letterboxd where it’s Ranked 2nd on the Top 50 Horror Films of The Year, and the King of Horror Stephen King himself, who raves it’s “absolutely brilliant!”. There’s a very good reason this is our Opening Gala Film, and rest assured, you will curse yourself if you miss it!

The film begins with this voice-over.

“It’s said that mother is the name for God on the lips and hearts of all children. She can be glorious, or terrible, benevolent, or filled with wrath. She’ll fight away the monsters with the fangs of a wolf and the teeth of a dragon – and love with a ferocity that can never be matched. Her job is to protect – no matter the cost – and if anyone would ever harm her family, there’s no telling what she’d be capable of.”

In Matthias Hoene’s psychological thriller, two renegade criminal brothers face off against their fiercely protective and vengeful mother. The psychodrama Little Bone Lodge examines the boundaries of motherhood. It turns the dilapidated, dark house into a living, breathing crime scene, complete with skeletal hints and photographic proof and an eerie, lived-in vibe. Because family bonds are pulled apart in this “safe” haven from the outside world only to be rewoven into even tighter knots, and we witness the emergence of another Psycho due to a mother’s unending vindictiveness and horrific nurturing.

Tossing in a sci-fi here. It does have some horror elements as it’s a pretty dark vision of our future. As a bonus, it’s all shot in Prague. We will be heading there on vacation in a few months. Although Prague in this film as been digitally altered to a futuristic look.

In 2041, humanity has advanced to the point where it can elude death. Everybody who passes away in an abnormal way has the right to resurrect themselves. To maintain your personality, all you need to do is create a restore point, or backup, of it at least once every 48 hours. However, there is a group of people who work to undermine this idea. Agent Em is pulled into a case that is more complicated than it initially appears and has political ramifications that extend to the highest echelons of government. The debut feature film from director Robert Hloz is an engrossing story, a remarkably creative visual experience, and a polemic that questions the notion that advancements in technology are inherently positive.

My Bloody Valentine meets Lovecraftian creature feature?  I’m so in!

“The Deep Dark (Gueules Noires) is a mix of horror and adventure, in the best tradition of H.P. Lovecraft stories, but set in a French reality and a strong social context,”

1956, northern France. A gang of underground miners (Samuel Le Bihan, Amir El Kacem, Thomas Solivéres, Bruno Sanches, Marc Riso, Diego Martín) are forced to take a professor (Jean-Hugues Anglade) to take samples a thousand meters underground. After a landslide prevents them from going back up, they discover a crypt from another time, and unwittingly awaken something that should have remained dormant.

A wonderful homage to the late Stuart Gordon. Gordon was brave and skillful to take on H.P Lovecraft’s work and bring it to film, very successfully. Fans of From Beyond, Dagon and Re-Animator will love this film. It even has Stuart’s muse Barbara Crampton in it.

While Joe Lynch clearly makes Suitable Flesh his own by adding a very different flavor of horror along with the creative instinct to gender-flip the original Lovecraft story, the film frequently looks and feels like a Stuart Gordon production. While From Beyond and Re-Animator welcomed slime, goop, and gore, Suitable Flesh focuses on obsession and a psychological disintegration that provides ample material for the actors to work with. As Elizabeth Derby loses all sense of self, Heather Graham excels as the unintentional psychiatrist thrown into a wild quest to clear her name, channeling every personality along the way. Not only are Graham and Judah Lewis performing double duty here, but they also have to assume several roles quickly one after the other.

A more self-contained tale, Suitable Flesh is more focused on its characters and the fallout from body-hopping chaos than it is on visceral cosmic horrors. That’s not to argue Lynch doesn’t employ gory violence, though. Suitable Flesh may feel familiar, but Lynch pays homage to a horror master through painstaking detail while avoiding a total retread, making it daring to take unexpected turns or eschew cliches. Lynch’s admiration for Gordon never quite matches his voice, forging an exciting new route for a younger generation that is carrying on the horror masters’ legacy. The end product is an odd, alluring horror film that combines elements of Lynch and Gordon in a way that feels both fresh and timeless.

“Vampyr” is a landmark horror film from 1932 directed by the Danish filmmaker Carl Theodor Dreyer. This silent, black-and-white classic is renowned for its innovative and atmospheric storytelling, and it remains an essential entry in the horror genre, despite its age. What truly sets “Vampyr” apart is its artistic approach to horror. Dreyer’s visual style, with its dreamlike, experimental camerawork, is often described as expressionistic. The film employs unusual effects, such as superimpositions and a play with light and shadow, to create a disorienting and nightmarish atmosphere. These techniques were groundbreaking for the time and have influenced countless directors in the years that followed. The narrative itself is intentionally ambiguous and open to interpretation. This ambiguity can be both a strength and a weakness. On one hand, it allows for deep engagement and interpretation, inviting the viewer to explore the film’s meaning and symbolism. On the other hand, it can be challenging to follow the plot and fully grasp the narrative’s intricacies on a single viewing. The performances, while silent and understated, effectively convey a sense of unease and fear. Julian West’s portrayal of Allan Gray adds to the film’s mysterious and eerie atmosphere.

Back when Nicole Kidman, well, looked liked Nicole Kidman.  Billy Zane is wonderfully unleased and unhinged. Tense film and shot in an area I loved when I travelled Australila, The WhitSundays.  It just might be the most beatiful place I’ve ever been.  But this is a horror film.

The story revolves around a married couple, John and Rae (played by Sam Neill and Nicole Kidman), who are grieving the loss of their young son. They decide to take a vacation on their yacht to help them heal and rejuvenate. However, their peaceful voyage is disrupted when they come across a drifting boat with a mysterious, blood-soaked survivor, Hughie (Billy Zane). They decide to rescue him and soon discover the horrifying truth about his past.

“Dead Calm” is a slow-burning thriller with a plot that keeps viewers on edge as tension and suspense mount. The film’s greatest strength lies in its ability to create an almost unbearable atmosphere of isolation and dread in the vastness of the open ocean. The setting, with its vast, empty sea and the small, confined spaces of the yachts, adds to the feeling of helplessness and vulnerability that the characters experience.

I’ve been a supporter of local community cinema for many years.  The Revue Cinema in the west end is the best of the bunch in my opinion.  I mean look, they are screening the original The Haunting tonight.  I’ve never seen this one on the big screen and it might be my absolute favorite haunted house film.  It always delivers a strong uneasy tension.

The Haunting” is a classic horror film released in 1963, directed by Robert Wise and based on Shirley Jackson‘s novel “The Haunting of Hill House.” The film is a notable example of psychological horror and has garnered a dedicated following over the years. It’s a masterclass in subtlety. It leaves much to the viewer’s imagination, and the ambiguity surrounding the hauntings allows for different interpretations of the events in the story. The black-and-white cinematography by is striking, using lighting and shadow to enhance the eerie atmosphere. The distorted and unsettling camera angles contribute to the feeling of disorientation and fear.

I love old Italian horror films. Especially ones in the giallo genre.  Bava, Fulci and of course…Dario Argento. What would 31 days of horror screening without one film from him.  This is lessor know but still master work from his catalogue.

Opera” is a 1987 Italian horror film directed by the legendary filmmaker Dario Argento. Known for his work in the giallo genre, Argento once again brings his distinctive style to the screen in this visually stunning and suspenseful film. The plot of “Opera” revolves around Betty, a young opera singer who finds herself at the center of a series of gruesome murders in a production of Verdi’s “Macbeth.” As she is forced to take on the lead role in the opera after the previous diva is injured, Betty becomes a target for a deranged killer who sews her eyelids open, forcing her to witness his brutal murders. The film is filled with suspense, gore, and a distinct blend of psychological horror.

Dario Argento is known for his exceptional use of colors, lighting, and camera work, and “Opera” is no exception.  The film features breathtaking cinematography, with elaborate and inventive tracking shots that take the audience right into the opera house, creating an immersive experience. “Opera” is a visually stunning and suspenseful horror film that showcases Dario Argento’s mastery of the genre. It’s a film that’s not easily forgotten, and it remains a cult classic for fans of Italian horror and giallo cinema. If you can handle the graphic violence and are a fan of stylish and atmospheric horror, “Opera” is definitely worth a watch.

I was just about to give up on newish horror films. The Exorcist (1973) being my favorite horror film of all time. Recently, I had to turn off the new Exorcist reimagining “film” – The Exorcist: Believer, mid-way through. It is that bad. It’s terrible beyond description, so I won’t describe it. Then comes Where Evil Lurks to fill the empty void and remove the bad after taste. It is horror film redemption. I was scared watching this one. Something that happens so rarely these days as I have exhausted this genre over a lifetime. I haven’t seen anything this good since Midsommer or Heridiatry.

The terrifying rollercoaster “When Evil Lurks” captures your attention from the very first frame and keeps it there. A great sense of dread, reminiscent of the best in the genre, is conveyed to capture the unsettling atmosphere in the isolated village.

This movie is elevated to a terrifying masterpiece by the Argentinean filmmakers’ impeccable genre work. The plot’s original twist—a man possessed by a demon—is horrifying and masterfully done. The brothers’ misguided attempt to step in only makes things more chaotic. “When Evil Lurks” is without a doubt my favorite horror movie of the year, demonstrating the strength of Argentinean horror and guaranteeing that it will be regarded as a classic for years to come. Oh…and there really is no point in praying.

I just love Spanish horror films. They are so expertly crafted stories that create their own worlds, mood, and atmosphere. It all started for me at our local film festival with a midnight screening of Cronos by an unknown Mexican director, Guillermo del Toro. Heard of him? After this, I was all in. I count El 0rfanato (The Orphanage), Los ojos de Julia (Julia’s Eyes) and of course another del Toro masterpiece, El Espinazo del Diablo (The Devils’ Backbone) as some of the finest in Spanish horror. There are so many more. However, this is about Sister Death which qualifies for the list of Spain’s finest horror films.

Narcisa, a young novice possessing supernatural abilities, arrives at a former convent that is now a school for girls in post-war Spain with the intention of becoming a teacher. Over time, the peculiar occurrences and progressively unsettling circumstances plaguing her will ultimately prompt her to decipher the horrifying web of secrets encircling the convent and menacing its occupants.

Sister Death is a visually stunning film that effectively conveys the emotional impact of religious trauma. It’s no secret that the Church and the nuns’ sisters neglected the health and welfare of the nuns’ offspring—even to this day—when the nuns became pregnant, whether voluntarily or not. Sister Death is based on actual violence, and through its fictitious depiction of that trauma, it both aims to change the future and offers a harsh critique of the past. Sister Death, a stunning and macabre film, carries on the excellent tradition of Spanish horror.

Horror-thriller film directed by Francis Ford Coppola in one of his earliest directorial efforts. The film is notable for its influence on the slasher genre and its connection to legendary filmmaker Roger Corman. “Dementia 13” is a precursor to the slasher genre. While it may not have the same level of sophistication as modern horror films, it’s a film worth watching for its historical significance and atmospheric storytelling. If you’re a fan of classic horror cinema and appreciate the evolution of talented directors, “Dementia 13” is a film worth checking out.

The story revolves around the dysfunctional and wealthy Haloran family, who gather at their Irish estate after the sudden death of the family’s youngest daughter, Kathleen. The family’s matriarch, Lady Haloran, is tormented by her daughter’s death and her own dark secrets. When a series of mysterious murders occurs, a shroud of fear and paranoia blankets the family as they try to uncover the truth behind Kathleen’s death and the emerging threat.

In my opinion, Mary Wollstonecraft Shelley‘s Frankenstein is the greatest piece of horror fiction ever written. It is my favourite book. I’m continuously drawn to its themes of the pursuit of immortality and the dark, negative consequences of science and technology. Also, from the monster’s perspective, social isolation, and loneliness. My parents thought me odd when I first saw the 1931 Frankenstein film and I cried. Where most kids were terrified of the monster, I felt empathy and sorrow. I mean, he never asked to be created. I could easily relate to the monster’s loneliness as my interests in the macabre at such an early age was the subject of some ridicule.  This all brings me to the Turkish TV series, Creature.  I never tire of the reimaging of the Frankenstein theme and this series does it so expertly through an Islamic lens, which is fantastic. If I may, it breathes new life into the many well-worn adaptations of The Modern Prometheus (Frankenstein).

This epic tale Creature is set in the last days of the Ottoman Empire. It focuses on the central issues of “death and the afterlife,” just like the majority of Frankenstein tales. This is especially relevant to religion because different religions have different conceptions of what the soul is. Regardless, we follow Ziya, a young, rebellious medical student with an adventurous spirit who hopes to discover treatments for infectious diseases. Of course, the hardest disease to conquer is death. This is a Frankenstein tale, after all. Ziya meets Ihsan, a medical doctor who walks the tightrope between genius and madness. Ihsan is precisely the type of person who can relate to Ziya’s dreams. It invariably leads to a long-lost, top-secret book concerning resurrection and an illegal experiment.

I almost forgot to add some J-horror to the list.  I need to quickly watch this one today as we have a guest staying with us that does not like horror films. Yes, you heard me correctly. There are people out there like this. She sure picked the wrong place to stay. Putting differences aside, it looks like we have negotiated a screening of The Nightmare Before Christmas tonight which I like but it’s not worthy of a 31 days of horror addition. However, Noroi most certainly is.  It is a truly chilling and unique addition to the horror genre. The film takes the form of a documentary-style investigation led by a paranormal researcher, Masafumi Kobayashi, who delves into a series of strange and terrifying events. As he delves deeper into the supernatural occurrences, he uncovers a complex web of folklore, curses, and dark rituals that tie together a series of chilling paranormal incidents. The film is structured around Kobayashi’s own recordings, interviews with witnesses, and found video footage, creating a realistic and immersive viewing experience. What makes “Noroi” particularly effective is its slow-burning and suspenseful approach to horror. The tension builds gradually, and the film employs eerie sound design and unsettling visuals to create an atmosphere of dread. The supernatural elements are grounded in Japanese folklore and urban legends, adding a unique cultural depth to the story. Overall, “Noroi” is a hidden gem for horror enthusiasts that builds a pervasive sense of dread that will haunt you long after the credits roll.